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I Am Not a Witch (2017)

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Title: I Am Not a Witch (2017) We’re soldiers for the government and we’re used to it. We’re used to it and we don’t get tired.” In writer-director Ryongo Nyoni’s I Am Not a Witch, this chant comes not from a platoon of conscripts, but from a group of women being held in one of Zambia’s witch camps. The film satirizes the real-life camps in the southern African nation, where the state confines women who supposedly possess malevolent powers. Nyoni brings to this intrinsically upsetting material a biting sense of humor—exemplified by the witches’ acquiescent chant—that emphasizes the absurdity of a situation in which an administrative state exercises control by exploiting traditional beliefs. In the film, the witches are overseen by an official named Mr. Banda (Henry B.J. Phiri), a man who wields his government credentials as if they themselves were magic, expecting the mere mention of his position to grant him unlimited power. Referring to the women under his watch as “ci...

The Mule (2018)

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Director and icon Clint Eastwood returns, at 88 years old, to an acting and directing double-duty with The Mule, a mostly successful film based on the true story of a 90-year-old Korean war vet who became a mule for a Mexican drug cartel. Eastwood plays Earl, a man who pursued his horticulture career with a passion that came at the expense of his family (his ex-wife is played by Dianne Weist and his daughter is played by his actual daughter Alison). By chance, an acquaintance learns that Earl has fallen on hard times financially and recruits him to be a drug mule. Earl’s age and spotless driving record help him fly under the radar of police and DEA agents (led by Bradley Cooper and Michael Pena). There are a few clumsy scenes here and there, but the movie works as a tense character study of a man who charms most of the people he meets, but fails the people who love him the most. Eastwood is as charismatic as ever, but he doesn’t let his charisma blur his character’s moral ...